a) note names - drill 2
b) tonic shapes
c) caged - drill 2
d) pentatonic shit - some new patterns
e) maiden
f) deep purple - smoke on the water
Thursday, February 18, 2010
Sunday, February 14, 2010
plan again
so u know :
ALL KEYS
3 notes per string
now do it caged
pentatonic - two patterns per day
modal - do backing tracks for every mode (Gambale , Machacek)
chords - all chords in all keys ( 1st day - Maj 7, m7 , 7)
----------------------------------------------------------
after this week we're going to arpeggios, 2-5-1 in every key ( Danny Gill)
continue with chords
scales for chords - Joe Pass , Scott Henderson
---------------------------------------------------------
THE PATH TO FRETBOARD MASTERY
1) NOTE NAMES
Goal: know all notes on the fretboard
observations
a)go behind the nut to play E open string
b)always go to the nearest note called.
c)use always first finger only
drill 1: call notes and work on each string at a time 6,5,1,4,3,2.
drill 2: try in a position to call random note names.
2) TONIC SHAPES & 3) TRANSPOSITION DRILLS
Goal: See the diamond shape for every key
drill 1: pick a tonic shape and then pick a note.
If possible do it in both octaves.
Stay with a tonic shape until you know it.
drill 2: pick a key and play all tonic shapes.
drill 3: pick a position and then pick a random note and play the tonic position
you find in that position.
4) MAJOR SCALE TEMPLATES (or CAGED)
drill 1: play all shapes for a key. Remember to associate the shape
for the scale with the tonic shape also.
drill 2: pick a key and an interval in a shape.
For example all the 2s - , all the 5s etc.
You can do it with note names also.
drill 3: pick a key and then pick an interval.
For example play all the 6s in C (A).
5) CHORD SHAPES
Drill for CAGED
ALL KEYS
3 notes per string
now do it caged
pentatonic - two patterns per day
modal - do backing tracks for every mode (Gambale , Machacek)
chords - all chords in all keys ( 1st day - Maj 7, m7 , 7)
----------------------------------------------------------
after this week we're going to arpeggios, 2-5-1 in every key ( Danny Gill)
continue with chords
scales for chords - Joe Pass , Scott Henderson
---------------------------------------------------------
THE PATH TO FRETBOARD MASTERY
1) NOTE NAMES
Goal: know all notes on the fretboard
observations
a)go behind the nut to play E open string
b)always go to the nearest note called.
c)use always first finger only
drill 1: call notes and work on each string at a time 6,5,1,4,3,2.
drill 2: try in a position to call random note names.
2) TONIC SHAPES & 3) TRANSPOSITION DRILLS
Goal: See the diamond shape for every key
drill 1: pick a tonic shape and then pick a note.
If possible do it in both octaves.
Stay with a tonic shape until you know it.
drill 2: pick a key and play all tonic shapes.
drill 3: pick a position and then pick a random note and play the tonic position
you find in that position.
4) MAJOR SCALE TEMPLATES (or CAGED)
drill 1: play all shapes for a key. Remember to associate the shape
for the scale with the tonic shape also.
drill 2: pick a key and an interval in a shape.
For example all the 2s - , all the 5s etc.
You can do it with note names also.
drill 3: pick a key and then pick an interval.
For example play all the 6s in C (A).
5) CHORD SHAPES
Drill for CAGED
Tuesday, February 9, 2010
Monday, February 8, 2010
08 feb - 1st day of Rain
ALL in circles of 5ths and 4ths
1) learn 3 notes per string
2) learn pentatonic
3) learn CAGED
4) Metallica solos - Enter Sandman
5) Solfegii
6) Ear Master
7) Chords and applications??
8) Composition - imi place sa fiu in lucruri complicate
1) learn 3 notes per string
2) learn pentatonic
3) learn CAGED
4) Metallica solos - Enter Sandman
5) Solfegii
6) Ear Master
7) Chords and applications??
8) Composition - imi place sa fiu in lucruri complicate
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